• Overview
• Specifications

1. Kobian Pte Sound Cards & Media Devices Driver Download Free
2. Kobian Pte Sound Cards & Media Devices Driver Download Windows 10
3. Kobian Pte Sound Cards & Media Devices Driver Download Latest
4. Kobian Pte Sound Cards & Media Devices Driver Download Windows 7

Key Workflow: The PCIe LX-DANTE sound card bridges professional audio software applications to Dante networks. By supporting 128 x 128 redundant channels, and providing extremely low latency, LX-DANTE matches all the requirements for high channel density, low latency, and reliability of professional DAWs used for high quality recordings, processing, and multi-channel playout over Dante networks.

At a glance

• RB Investments is the investment arm of Singapore-based entrepreneur Rajesh Bothra, who runs an IT distribution company Kobian Pte Ltd. Kobian sells computer components, peripherals and lifestyle.
• AUDIO LIGHT ASIA PTE LTD. 65 Ubi Road 1, #02-66, Oxley Bizhub Singapore 408729. Tel: (65) 6742 6387 Fax: (65) 6386 6480. Email: enquiry@audiolight.sg.

• 128 x 128 input/output Dante channels at up to 96kHz
• 64 x 64 input/output Dante channels at 176.4kHz and 192kHz
• Mode for AES67 compatibility
• Very low latency (about 3 ms round trip latency)
• Primary and Secondary Ethernet ports provide seamless Dante network redundancy
• Automatically discovered on the Dante network
• Network routing managed via the Dante Controller software
• Works with Thunderbolt expansion chassis
• Support for Windows and Linux

Member Profile: Kobian pte Ltd, Description:, Contact Person: Nitin, Country: SINGAPORE, Trust Points, Popularity and Trade Networks. Digigram Asia Pte Ltd Serving Asia and Oceania 60 Albert Street #09-11 OG Albert Complex Singapore 189969 Tel: +65/6291 2234 Fax: +65/6291 3433 Email: javascript protected email address Contact an expert.

Key features

• Standard PCI Express 4x card format
• 128 x 128 redundant channels at 44.1, 48kHz, 88.2, 96KHz
• 64 x 64 redundant channels at 176.4 or 192kHz sample rates
• Dante plug and play media networking
• AES67 compatibility (48 samples per packet, 48 kHz, SAP)
• Ultra-low latency with sub-microsecond synchronization
• Drivers: ASIO (Windows), Alsa (Linux)
• Supported operating systems: Windows as of Windows 7, Windows Server as of 2008 R2, Linux as of kernel 3.10
• Seamless Dante network redundancy via the two Gbit network interfaces
• Interoperable with any other Dante-powered device, and with other AES67-compliant devices
• Can be used in Thunderbolt external chassis

Drivers nbs printers. Configuration

IP audio

Audio

Software environment

Compatibility with expansion chassis

Benefits

• Guarantees failsafe support of 128 x 128 audio over IP channels on a PC
• Offers very low latency
• Ensures interoperability with all Dante capable devices
• Allows exchanging audio channels with non Dante devices through the AES67 compliance

E-MU Systems was a software synthesizer, audio interface, MIDI interface, and MIDI keyboard manufacturer. Founded in 1971 as a synthesizer maker, E-mu was a pioneer in samplers, sample-based drum machines and low-cost digital samplingmusic workstations.

After its acquisition in 1993, E-mu Systems was a wholly owned subsidiary of Creative Technology, Ltd.^[1]In 1998, E-mu was combined with Ensoniq, another synthesizer and sampler manufacturer previously acquired by Creative Technology.^[2]E-mu was last based in Scotts Valley, California, on the outskirts of Silicon Valley.^[1]

History[edit]

Kobian Pte Sound Cards & Media Devices Driver Download Free

E-mu Systems was founded in Santa Cruz, CA by Dave Rossum, a UCSC student and two of his friends from Caltech, Steve Gabriel and Jim Ketcham, with the goal to build their own modular synthesizers.^[3] Scott Wedge, who would ultimately become president, joined later that summer. In 1972, E-mu became a company, developing and patenting a digitally scanned polyphonic keyboard (1973), licensed for use by Oberheim Electronics in the 4-Voice and 8-Voice synthesizers and by Dave Smith in the Sequential Circuits Prophet-5. E-mu, along with Solid State Micro Technology (SSM), also developed several synthesizer module IC chips, that were used by both E-mu and many other synthesizer companies.

Kobian Pte Sound Cards & Media Devices Driver Download Windows 10

With the financial benefit of the royalties that came from working with these other synthesizer manufacturers, E-mu designed the Audity, their first non-modular synthesizer, showing it at the 1980 AES Convention. With a price of $69,200 (over $200,000 in 2009 terms when adjusted for inflation), only one machine was ever produced. At that same convention, Wedge and Rossum saw the Fairlight CMI and the Linn LM-1. Recognizing the trend of digital samplers, they realized that E-mu had the technology to bring a lower-priced sampler to market. The Emulator debuted in 1981 at a list price of $7,900, significantly less than the $30,000 Fairlight.^[4][5][6] Following the Emulator, E-mu released the first programmable drum machine with samples built-in priced below $1,000, the E-mu Drumulator. The Drumulator's success was followed by the Emulator II and III, the SP-12 drum sampler, and the Emax series of samplers.^[7]

In 1990, E-mu introduced the Proteus, a rackmountsound module, containing pre-recorded samples in ROM. At its introduction, the Proteus had a relatively large library of high-quality samples priced much lower than the competition. Legend scsi & raid devices driver. The success of the Proteus spurred the development of several additional versions, including the Proteus XR, an orchestral version, and a world music version.^[8] In 1987, E-mu's SP-1200 drum sampler offered an 'all-in-one' box for sequencing not only drum sounds, but looping samples, and it quickly became the instrument of choice for hip hop producers.

In 1993, E-mu was acquired by Creative Technology (the Singaporean parent company of Creative Labs) and began working on PC soundcard synthesis. Creative Wave Blaster II and Sound Blaster AWE32 used EMU8000 effect processor. Throughout the 1990s, E-mu made many different sound modules along the lines of the Proteus series. E-mu also made unsuccessful attempts at breaking into the digitalmultitrack recorder with the Darwin hard-disk recording system. In 1998, E-mu was combined with Ensoniq, another synthesizer and sampler manufacturer previously acquired by Creative Technology.^[2]

In 2001 E-mu's sound modules were repackaged in the form of a line of tabletop units, the XL7 and MP7 Command Stations, each featuring 128-voice polyphony, advanced synthesis features, and a versatile multitrack sequencer. A complementary line of keyboard synthesizers was also released using the same technology.

Subsequent products from E-mu were exclusively in software form. In 2004 E-mu released the Emulator X, a PC-based version of its hardware samplers with extended synthesis capabilities. While a PCI card is used for audio input and output, the algorithms no longer run on dedicated hardware but in software on the PC. Proteus X, a software-based sample player, was released in 2005.

Non-creative sound cards[edit]

During 2003-2007, E-mu designed and published a series of high-fidelity 'Digital Audio Systems' (computer sound cards), intended for professional, semi-professional and computer audio enthusiast use. They were released under the name E-MU, however bearing a 'Creative Professional' label. The card names are number-coded for the number of physical inputs and outputs: 0404, 1212m, 1616, 1616m, 1820 and 1820m, where 1616 is a CardBus version and the rest for PCI, while 'm' denotes extra high-quality analogue outputs and inputs. The 1820m was touted as the series' flagship product until the 1616 and 1616M were released (A PCI version of the 1616/M later followed). All of the cards had drivers for Microsoft Windows2000 and later versions that were current at time of the respective products' release. (32- and 64-bit). Only a beta version driver was released for Windows 7. Apple Macintosh support appeared to be pending, but may have been affected by Apple's migration towards Intel.

While the core DSP chip (EMU10K2) of the cards is the same one designed by E-MU and used in Creative's Sound Blaster Audigy2 cards (and hence capable of 24-bit 192 kHz PCM sound), official press releases for the E-MU sound cards have emphasized Creative's lack of input on the design, and the in-house development of the cards and drivers — that is, they wanted to distinguish their 'own' series from Creative's signature Sound Blasters. Notably, the cards and drivers entirely omit internal 'wavetable' sample-based MIDI synthesis, Creative's proprietary EAX sound routines and basically anything commonly associated with the parent company. Driver download nvidia. Although the cards were rushed into market and originally came bundled with fairly raw drivers (which have subsequently received periodical major improvements and even additions beyond the advertised specifications), they have generally met with rather favourable reviews.

Timeline of major products[edit]

• 1973 - E-mu Modular System
• 1980 - Audity
• 1981 - Emulator
• 1983 - Drumulator
• 1984 - Emulator II
• 1985 - E-mu SP-12 Drum Sampler
• 1986 - Emax
• 1987 - Emulator III
• 1987 - E-mu SP-1200 Drum Sampler
• 1990 - Proteus 1 Pop/Rock
• 1990 - Proteus 2 Orchestral
• 1991 - Proteus 3 World
• 1991 - Pro/Cussion
• 1993 - Morpheus^[9]
• 1994 - Emulator IV / e 64
• 1996 - Orbit 9090 V2
• 1997 - Planet Phatt
• 1998 - Proteus 2000
• 1998 - E-mu APS (Audio Production Studio)
• 1999 - E4 Ultra Samplers
• 2001 - XL7/MP7 Command Stations
• 2003 - PCI Digital Audio Systems
• 2004 - Emulator X
• 2005 - CardBus Digital Audio Systems
• 2006 - Emulator X2
• 2006 - Xboard 25, 49, 61
• 2006 - E-mu Proteus X
• 2007 - Digital Sound Factory licenses and remasters original Proteus and Emulator sound libraries
• 2009 - E-mu PIPEline Digital Wireless Transmitter and Receiver System
• 2009 - Emulator X3, the final incarnation of E-MU's flagship software sampler
• 2010 - longboard 61, shortboard 49 wireless performance keyboards

See also[edit]

• Digital Sound Factory (company)

Kobian Pte Sound Cards & Media Devices Driver Download Latest

References[edit]

1. ^ ^abAbout E-MU, Creative.com
2. ^ ^abRob Keeble, '30 Years of EMU'Archived 2012-03-14 at the Wayback Machine, Sound On Sound, Sep 2002
3. ^'E-mu Company History'. Creative. Creative Technologies. Retrieved 13 February 2019.
4. ^Julian Colbeck, Keyfax Omnibus Edition, MixBooks (1996), p. 25
5. ^Mark Jenkins, Analog Synthesizers, Focal Press (2007), p. 125
6. ^Mark Vail, Vintage Synthesizers, Miller Freeman (1993), p. 198
7. ^Mark Vail, Vintage Synthesizers, Miller Freeman (1993), p. 24
8. ^Julian Colbeck, Keyfax Omnibus Edition, MixBooks (1996), p. 32
9. ^'Quality Control'. Music Technology. No. 85. November 1993. ISSN0957-6606. OCLC24835173.

Further reading[edit]

• 'E-mu ProteusFX sound module'. Future Music. No. 20. Future Publishing. June 1994. p. 32. ISSN0967-0378. OCLC1032779031.
• 'E-mu UltraProteus'. Future Music. No. 22. Future Publishing. August 1994. p. 27. ISSN0967-0378. OCLC1032779031.
• 'E-mu Planet Phatt'. Future Music. No. 56. Future Publishing. May 1997. p. 32. ISSN0967-0378. OCLC1032779031.
• 'E-mu Carnaval'. Future Music. No. 59. Future Publishing. August 1997. p. 48. ISSN0967-0378. OCLC1032779031.

Kobian Pte Sound Cards & Media Devices Driver Download Windows 7

External links[edit]

• Interview with Scott Wedge NAMM Oral History Library. January 21, 2007.
• Interview with David Rossum NAMM Oral History Library. January 21, 2007.
• E-mu Planet Phatt - Sound On Sound review (archive.org)
• E-mu Orbit v2 - Sound On Sound review (archive.org)
• E-mu Carnaval - Sound On Sound review (archive.org)
• E-mu E-Synth - Sound On Sound review (archive.org)